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New section in ‘links’ relating to Cymatics. The study of Cymatics is very connected to the Templar Mechanics research. If vibration/frequency can manifest form/shape then it’s possible the geometric patterns found in the landscape are also resonating to a frequency. Angle then in a patterns design surely becomes relative to frequency….. angle could therefore hold frequency and contribute to the overall symphony of the geometry. We can’t see or hear radio or television signals yet we know they are flowing all around us….Just because we can’t see it doesn’t mean its not there. Likewise if we can’t hear it doesn’t mean its not there……there are many energy frequencies that cannot be discerned through our very limited 5 senses. Einstein tells us the universe is made of energy vibrating at different frequencies creating the form…. E =Mc2. All is vibrating energy …from the chair you are sat on to the cells of your body. For matter to manifest in different geometric patterns relative to the frequency shows us there is order ……hardly the chaotic random universe idea we have been spoon fed from the mainstream. If there is order then there has to be an intelligence behind it…an architect of creation. Interesting link below to a Cymatics presentation in connection with Rosslyn chapel. http://www.youtube.com/watch?v=cy2Dg-ncWoY Here is a taster of the wiki page…more on the Templar Mechanics link page “ Cymatics is the study of wave phenomena. It is typically associated with the physical patterns produced through the interaction of sound waves in a medium. A simple experiment demonstrating the visualisation of cymatics can be done by sprinkling sand on a metal plate and vibrating the plate, for example by drawing a violin bow along the edge, the sand will then form itself into standing wave patterns such as simple concentric circles. The higher the frequency, the more complex the shapes produced, with certain shapes having similarities to traditional mandala designs.” http://en.wikipedia.org/wiki/Cymatics

Posted on 19/11/2008, by TM